The upper half of the "entry side pillar" of Horyuji Kondo is reproduced in a real size problem, and it is a symbol object. You can feel the warmth of the tree and the feeling of weight in the part which cannot usually be seen up close. This is due to the production of the late Mr. Tsunichi Nishioka, a disciple and Mitsuo Ogawa, and has been able to make Japanese cypress for about 300 years.